Avid Studio for iPad gets renamed, free on the App Store for a limited period of time

By Daniel Cooper, EngadgetSeptember 04, 2012 at 06:51PM

Avid Studio for iPad gets renamed, free on the App Store for a limited period of time

Avid Studio for iPad arrived back in February, priced to coax iPad filmmakers away from Apple’s in-house iMovie. Since then, however, the company sold its consumer business arm to Corel, leading it to re-brand the package as Pinnacle Studio for iPad. The editing app has gained a bunch of features that users were clamoring for, including 1080p support, integrated uploads to Box and a raft of stability tweaks. As part of the change, it’s being offered free for a limited time, so if you own an iPad (or plan on getting one in the future), we suggest you jump-cut to the App Store pretty quickly.

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Country Clubs and Deliberate Design

By Anil, Anil DashSeptember 04, 2012 at 11:53AM

I was very happy to see this morning that Fred Wilson had shared his thoughts on inclusivity, building off of my earlier post You Can’t Start the Revolution From a Country Club.

Fred gets to the heart of the matter:

I have learned the power of inclusivity from writing this blog and watching this community evolve. Everyone is welcome here. Everyone can comment. Nobody’s comments get nuked unless they are spam or hate. And I have a very high standard for hate. The community can and does police this place. And that allows anyone to come in here and be a regular. And that is what has created the magic.

Issues of inclusion and identity can be really difficult for some communities to talk about, especially when they’re framed provocatively as I intentionally did. So let me share a few nuanced points that often get lost in the discussion.

  • Country clubs are useful if what you want to make is a place for people to play golf and be served drinks. I don’t want to belabor the analogy here, but there are plenty of places that are exclusive, even elitist, without necessarily being evil. Jonathan Glick illustrates this in a great way by pointing at universities as a good example. What’s key is to acknowledge, understand and admit when one is seeking to be exclusive, and to acknowledge the reasons for, and impacts of, that choice.
  • Sometimes communities of interest aren’t intrinsically diverse by some measures. If you made an alumni community for the high school I went to, it’d be overwhelmingly white and lower-middle class. If you made a community for Chopard owners, it’d be overwhelmingly wealthy. If you made a community for Ledisi fans, it’d be overwhelmingly African American. Does that mean these would be designed to exclude? No, they’re for a particular audience, which happens to have a primary demographic.
  • At the same time, tech platforms are different than communities of interest. If sites like Svbtle and App.net and Medium (and many, many others I didn’t mention) seek to simply be narrow communities of interest for people who own MacBooks, call fonts “typefaces” and have strong feelings about coffee, then that’s a perfectly valid choice and the makeup of their communities doesn’t matter. But if these platforms seek to empower broad swaths of the public, to engage people around the world, or to encourage discussion between people of different communities, then their efforts at seeking a broader makeup are in fact essential.

Even though I put it in the headline of my earlier piece, people seem to forget that I was only criticizing country clubs in the context of fomenting revolution. As Ginny Rometty can attest, few country clubs are even close to aspiring to revolution. Obviously, my strong bias is towards technology being radical enough to change established inequitable cultural hierarchies, but if you think things are fine and fair, or you just want to build an app that’s not focused on solving those problems, there’s no reason to have any particular objection to my focus. Except, when faced with data of what the reality of such design choices look like, some people do take exception.

This is one of the most stupid things ever published: buzzfeed.com/benjaminj4/how…

— dustin curtis (@dcurtis) August 29, 2012

That’s the response to Benjamin Jackson’s piece on Buzzfeed exploring the demographics of Svbtle. Again, I don’t attribute any malice or ill will to Dustin Curtis; I think he’s just trying to make a cool site. And to be fair, lots of people who are not versed in conversations about privilege, access and inclusion can have a difficult time when they’re brought into one without expecting it.

But when seeing factual data about the makeup of a community, there are a few ways you can respond if you don’t like them. You can say “We don’t intend to keep our demographics looking like that; Here’s what we’re doing to change.” You can say, “Our demographics look like that because we’re deliberately serving a narrow community where these populations are overrepresented.” Or you can say, “I don’t know what that is, but we’ll research and try to learn more.”

In the case of Svbtle, I made a Storify conversation of what happened.

By contrast, I got a smart, thoughtful email from Dalton Caldwell after my last post, and he’s thinking deeply about the issues of inclusion at App.net, and struggling to figure out how to address those challenges while also getting his nascent platform off the ground. I don’t think he necessarily has to solve this entire complex problem right away — it’s that he’s willing to list it as a design consideration at all, and to balance the need for resources or attention to this topic, that makes me optimistic that his platform will find a good solution.

Bugs Worth Fixing

Why does this response happen? I don’t think it’s because Dustin, or anybody else in this conversation, is trying to be malicious. It’s because he simply hasn’t thought about it, and thus the initial response is defensiveness and even downright hostility. One of the basic rules of good design is to know who you’re designing for. If someone points out that a product you’ve designed has reached a particular audience, it’s either the audience you were trying to get, or you should learn from those who have responded and keep iterating design to reflect your goals.

It’s fine to design for a particular audience; I’m spending my time working on ThinkUp, knowing that it’s of greatest use to people with big social networks, and thus its audience is going to skew predominantly toward those who are already privileged. But I also believe it’ll be of use to many who aren’t already so fortunate, and in fact that it will explicitly help those who aren’t privileged to benefit from the power of social networks. That’s not some great political goal of mine; It’s just smart business and a reasonable way to think about design and resource allocation while building a product and a startup.

it’s gratifying to me to see someone like Fred Wilson, who has a disproportionately loud voice and a powerful set of resources to make an impact, articulate these ideas so well. I talk about these issues because I care, and because I want to move the conversation forward, not to beat people up. I talk about them because I am fortunate enough to be able to do so, and because defensiveness or burying our heads in the sand don’t actually fix big problems.

But I talk about them because these are some of the most interesting problems in creating technology today. They’re very difficult bugs to fix! What kind of geeks would we be if we shied away from complex problems without trying to hack on them? If racist culture is a factory defect, then exclusionary technology platforms have baked-in bugs that need fixing. We need a test suite for cultural assumptions, or a validator for design patterns that exclude.

It’s that intersection of big, interesting problems and truly new perspectives on applying technology that seem more interesting to me than just reinventing the wheel, and focusing on inclusion just incidentally happens to require innovation in those areas. Not every app has to aspire to thinking about big problems in society. I just don’t have any interest in spending too much time on the ones that don’t.

Do Women Love Ann Romney? Only Facebook Knows

By Gregory Ferenstein, TechCrunchSeptember 03, 2012 at 02:59AM

election-insight-capture-square

For all the millions spent on the Republican National Convention, the entire operation could only speculate whether their keynote speeches had any meaningful impact. Until Facebook achieved near universal adoption among the voting class, brands had no reliable way to gage public opinion. Large surveys are subject to respondents’ notoriously bad memories, focus groups are too tiny to be nationally representative, and the Twitterverse is too liberal and young. However, Facebook’s recent experiment with topical chatter during the RNC may have just revealed the social network as the best known barometer of national buzz.

“During Ann Romney’s speech, the entire map of women talking from coast to coast turned bright red,” recalls CNN producer Michelle Jaconi, who oversaw a Facebook partnership that visualizes political social chatter across a map of the US. While Facebook doesn’t measure the sentiment of opinion, a giant spike in female chatter is the best indication we’ve ever had that team Romney hit the bullseye.

It’d be nearly impossible to ascertain how women actually felt about Ann Romney’s speech using traditional methods. Hindsight survey’s asking respondents how they felt about a speech over the phone are subject to participant’s notoriously bad memories. As we’ve noted before, many people can’t remember what they ate for breakfast, or remember monumental life events; so, they certainly wouldn’t be better at reflecting how they felt during a speech days earlier.

The second-best alternative is a real-time focus group, which measures opinion while groups of potential voters watch a replay of the speech. Unfortunately, focus groups are rife with problems: bored participants rush to judgement, are heavily influenced by the latent actions of the research director and their surrounding peers, and, are by nature, too tiny to be representative of the national population.

Twitter attempted to reveal national sentiment with its political index, which measures the volume of positive and negative tweets related to each presidential hopeful. But, research has shown that the modern state of statistical science just doesn’t know how to accurately measure opinion through the (heavily biased) Twitterverse. “It can be concluded that the predictive power of Twitter regarding elections has been greatly exaggerated,” writes computer science professor, Daniel Gayo-Avello.

Facebook though, has achieved near universal adoption in the United States. According to Pew, 70% of the Republican’s sweet-spot 35-49 demographic use social networks (and nearly all of them use Facebook).

Even if the Facebook chatter wasn’t all positive, the campaign now knows that it teed up enough users in the chosen demographic to mobilize passionate supporters. “You know who the power mobile users of Facebook are?” Ronmey’s Digital Director, Zac Moffatt asks, “stay-at-home moms.” With Facebook, Moffatt can target them with specific calls to action.

And, the Romney campaign has a history of channeling female engagement at the perfect time. Earlier in the year, when Obama campaign advisor Hilary Rosen made the unfortunate claim that Ann Romney “never worked a day in her life,” Moffatt had Ann Romney respond on Twitter and Facebook. In 5 days, Moffett recalls, Ann Romney had 85K people engaging with her online. “In 48 hours, we created the single largest coalition, on the conservative side of the country, from scratch, on the only platform which could achieve this, which is Facebook.”

CNN’s experiment with Facebook was a proving ground for the social network as a goldmine in demographic-specific buzz. After the election, the benefits are sure to spill over into industry marketing. Ford, for instance, would certainly want to know if a Superbowl ad lit up teenage chatter–as would any national brand. Where the volume of chatter matters more than sentiment, it’s hard to imagine a better data source than Facebook. So, brands, put your ear to Facebook’s grindstone.


Darktable: The free Alternative to Photoshop Lightroom goes Mac OS X

By Dieter Petereit, noupeSeptember 03, 2012 at 02:00AM


  

Photographers considering using a computer based on Linux not seldom have exactly one reason to do so: Darktable. Darktable is an open source project, best compared to Adobe Lightroom. It is a photo editor following the workflow of photographers, thus having them easily feel familiar with the app. Beginners will be overwhelmed by its feature richness. Now there is another option, if you don’t want to use a Linux-system. A few days ago, Darktable has been made available for Mac OS X

Darktable: Lighttable, darkroom, tethering

It almost sounds too good to be true. But the project Darktable doesn’t need to hide behind the functionality of its commercial competitor Lightroom. Some even say, that Darktable’s RAW Tools are even better than those Adobe has to offer. Adobe recently changed the name of its product to Photoshop Lightroom and dropped the price for the most recent version 4 to an affordable 149 USD. As the competitors show similarities in the look of the whole user interface, I wonder who got inspired by whom…

Darktable’s lightroom in standard view

Darktable, available in several languages, that are automatically invoked, according to the operating system it detects, follows a modularized workflow. Lighttable lets you do administrative tasks in the likes of Bridge or Picasa or … Lightroom. Meta-data can be viewed and changed. Categorization can be done from here, as well as sorting operations in a variety of ways.

The module darkroom is responsible for the manipulative work. As darktable is limited to tasks that real photographers would do in real darkrooms, we don’t have the opportunity to work on collages or other montages. All effects, corrections and related functionality can only be invoked on photographs. Darktable’s methods are powerful and very finely tunable. The results are often described to be better than what can be achieved using so-called professional software such as Lightroom. The last module, called tethering, is used to connect cameras to Darktable in a way that their contents can be imported automatically.

Darktable’s darkroom with an image opened

The product is comfortable and fast, the results are high-class. Moreover, Darktable is completely free. If you’re into one of the many Linux-derivatives, you probably know that the software has been available for quite a long time to the users of the open source OS. Ubuntu-users will even find a version of Darktable pre-installed. Be aware that these usually are older versions, so make sure you update soon as possible, using one of the many repositories available. If your OS carries names such as Fedora, Suse or Gentoo, the same applies to you. Fit as a fiddle programmers of course just compile their own version using the Sourcefourge– or Github-sources, just like Chuck Norris would do. Wait, probably with Chuck Norris sources compile themselves to avoid having Norris compile them. Anyway…

Freshest member of the family is the Darktable-version for Mac OS X, which is available as a DMG using this link. If you read the blog entry that announces the availability of the Mac-version, you’ll feel flooded with comments of users stating to have a wide variety of problems using, configuring, but also even installing the app.

Darktable for Mac OS X: a little self-test

Gotten insecure from the comments I mentioned before, I decided to give Darktable a spin, so none of our readers would run into trouble and probably blame me for having gotten their MacBooks damaged. I installed Darktable as is usually done using the downloaded DMG. Darktable went from a lean 15,5 MB DMG to a not so much fatter 52 MB app. And I did not experience any problem whatsoever. I imported over 1.000 pictures into lighttable and I was able to fire effects and filters at chosen pictures without any misbehaviour on the side of Darktable. Everything worked absolutely flawlessly, until I tried to connect my camera via the tethering-module. I couldn’t get that to work, but a workaround for this problem is already in existence. As I never use automatic importing of pictures, I didn’t give this workaround a spin, though.

The recent version of Darktable carries the number 1.05. The whole project is organized professionally und comes with a documentation, that leaves no stone unturned. You should definitely check out the project’s ressources-section.

People seeking a solution to professionally manipulate their photos, need not push out cash any longer. As cash always tends to vanish as soon as you look at it, Darktable might save you from premature bankruptcy and help you lead a happier life. You should have a 64-bit OS, though. It still runs on 32, but you know…